{"title":"Miotte ","description":"\u003cp data-start=\"58\" data-end=\"181\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"58\" data-end=\"80\"\u003eMIOTTE (1926-2016)\u003c\/strong\u003e\u003cbr data-start=\"80\" data-end=\"83\"\u003e \u003cstrong data-start=\"83\" data-end=\"118\"\u003eThe choreographer of abstraction\u003c\/strong\u003e\u003cbr data-start=\"118\" data-end=\"121\"\u003e \u003cem data-start=\"121\" data-end=\"179\"\u003e“I don’t paint a subject. I paint a moment of momentum.”\u003c\/em\u003e \u003c\/p\u003e\n\n\u003ch3 data-start=\"188\" data-end=\"219\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● Why is it fascinating? \u003c\/h3\u003e\n\n\u003cul data-start=\"220\" data-end=\"658\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"220\" data-end=\"330\"\u003e\n\n\u003cp data-start=\"222\" data-end=\"330\"\u003e He is the artist of pure movement. He made gesture a language, a dialogue between line and matter. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"331\" data-end=\"473\"\u003e\n\n\u003cp data-start=\"333\" data-end=\"473\"\u003e His painting seems to dance: fluid, organic, without beginning or end. It is a suspended movement, frozen in the canvas as in the moment. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"474\" data-end=\"658\"\u003e\n\n\u003cp data-start=\"476\" data-end=\"658\"\u003e Miotte captures the moment, the exact moment when the line becomes emotion, when the arm leaves, the color rises, the form emerges. An instinctive, abstract, corporeal, direct painting. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"665\" data-end=\"696\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● A very contemporary work \u003c\/h3\u003e\n\n\u003cul data-start=\"697\" data-end=\"1122\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"697\" data-end=\"792\"\u003e\n\n\u003cp data-start=\"699\" data-end=\"792\"\u003e A living painting that evokes contemporary dance, performances, vital impulses. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"793\" data-end=\"951\"\u003e\n\n\u003cp data-start=\"795\" data-end=\"951\"\u003e We see links with street art, tagging, an instinct to trace a form between the abstraction of the 1950s and the energy of today's world.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"952\" data-end=\"1050\"\u003e\n\n \u003cp data-start=\"954\" data-end=\"1050\"\u003eA painting that isn't closed off but invites movement. Miotte invents her own path. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1051\" data-end=\"1122\"\u003e\n\n\u003cp data-start=\"1053\" data-end=\"1122\"\u003e A painting that is close to jazz: improvised and emotional. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"1129\" data-end=\"1167\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● Why is it presented here? \u003c\/h3\u003e\n\n\u003cul data-start=\"1168\" data-end=\"1680\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"1168\" data-end=\"1263\"\u003e\n\n\u003cp data-start=\"1170\" data-end=\"1263\"\u003e Because Miotte offers a sensitive, readable, accessible abstraction without being simplistic. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1264\" data-end=\"1341\"\u003e\n\n\u003cp data-start=\"1266\" data-end=\"1341\"\u003e Because he embodies the elegance of pure gesture, he is the painter of momentum. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1342\" data-end=\"1569\"\u003e\n\n\u003cp data-start=\"1344\" data-end=\"1569\"\u003e Because he has had great success in the United States, notably thanks to the Miotte Foundation in New York, and in Germany – his work remains accessible with great future potential linked to the return of large gestures. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1570\" data-end=\"1680\"\u003e\n\n\u003cp data-start=\"1572\" data-end=\"1680\"\u003e Because it is present in the great museums of the world, because it is a reference of lyrical abstraction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","products":[{"product_id":"jean-miotte-huile-sur-toile-1983","title":"MIOTTE Jean (1926-2016) – Untitled, 1983 – Oil on canvas, signed – Artkob Gallery","description":"\u003cp data-start=\"3568\" data-end=\"3701\"\u003e Jean Miotte (1926-2016)\u003cbr data-start=\"3595\" data-end=\"3598\"\u003e Untitled, 1983\u003cbr data-start=\"3618\" data-end=\"3621\"\u003e Oil on canvas, signed and dated at the bottom center.\u003cbr data-start=\"3675\" data-end=\"3678\"\u003e Countersigned on the back\u003c\/p\u003e\n\n\u003cp data-start=\"3703\" data-end=\"3731\"\u003e Dimensions: 100 × 81 cm\u003c\/p\u003e\n\n\u003cp data-start=\"3733\" data-end=\"3844\"\u003e Provenance: Private collection, Paris\u003cbr data-start=\"3780\" data-end=\"3783\"\u003e Certificate of authenticity from the artist given to the buyer.\u003c\/p\u003e\n\n\u003cp data-start=\"3846\" data-end=\"3885\"\u003e Artwork framed in a floater frame\u003c\/p\u003e\n\n\u003cp data-start=\"3887\" data-end=\"4023\"\u003e A painting characteristic of gestural abstraction, where Miotte releases the energy of the gesture in a colorful and airy dynamic.\u003c\/p\u003e\n\n\u003cp\u003e Framed artwork: American box frame\u003c\/p\u003e","brand":"ARTKOB","offers":[{"title":"Default Title","offer_id":52071266058586,"sku":null,"price":6800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/files\/DSC01335.jpg?v=1755179095"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/collections\/DSC01313.jpg?v=1756812810","url":"https:\/\/artkob.com\/en\/collections\/miotte.oembed","provider":"ARTKOB","version":"1.0","type":"link"}