{"title":"Chu Teh-Chun","description":"\u003ch3 data-start=\"1598\" data-end=\"1628\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e CHU TEH-CHUN (1920-2014) \u003c\/h3\u003e\n\n\u003cp data-start=\"1629\" data-end=\"1713\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"1629\" data-end=\"1666\"\u003eThe abstract breath from the East\u003c\/strong\u003e\u003cbr data-start=\"1666\" data-end=\"1669\"\u003e “My painting is a music of silence” \u003c\/p\u003e\n\n\u003cp data-start=\"1715\" data-end=\"1746\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"1715\" data-end=\"1744\"\u003e○ WHY IS HE FASCINATING?\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"1747\" data-end=\"2234\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"1747\" data-end=\"1894\"\u003e\n\n\u003cp data-start=\"1749\" data-end=\"1894\"\u003e Chu Teh-Chun is a fusion of Chinese calligraphy and European lyrical abstraction. He has brought together two worlds in a single painting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1895\" data-end=\"2008\"\u003e\n\n \u003cp data-start=\"1897\" data-end=\"2008\"\u003eA gestural, luminous painting, inspired by nature, calligraphy, music and Chinese poetry. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2009\" data-end=\"2119\"\u003e\n\n\u003cp data-start=\"2011\" data-end=\"2119\"\u003e He acts like a medium, with slow but powerful movements, with subdued lights, with vibrations of the soul. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2120\" data-end=\"2234\"\u003e\n\n\u003cp data-start=\"2122\" data-end=\"2234\"\u003e His paintings are inner journeys without horizon but with storms of drama and bursts of light. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"2236\" data-end=\"2267\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"2236\" data-end=\"2265\"\u003e○ A VERY CURRENT WORK\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"2268\" data-end=\"2675\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"2268\" data-end=\"2383\"\u003e\n\n\u003cp data-start=\"2270\" data-end=\"2383\"\u003e Chu Teh-Chun is all about Zen-futuristic aesthetics. It brings to mind poetic science fiction visuals and atmospheric NFTs. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2384\" data-end=\"2518\"\u003e\n\n\u003cp data-start=\"2386\" data-end=\"2518\"\u003e His brushes blow the wind, the night, the fire without ever naming them. It is the inner breath that each of us seeks to rediscover. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2519\" data-end=\"2675\"\u003e\n\n\u003cp data-start=\"2521\" data-end=\"2675\"\u003e His works are suspended moments, a lesson in elegance and slowness in a world that moves too fast. A sensitive and contemplative abstraction. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"2677\" data-end=\"2715\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"2677\" data-end=\"2713\"\u003e○ WHY IS IT PRESENTED HERE?\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"2716\" data-end=\"3272\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"2716\" data-end=\"2932\"\u003e\n\n \u003cp data-start=\"2718\" data-end=\"2932\"\u003eBecause he was able to create a dialogue between the age-old traditions of Chinese ink and the freedoms of Western abstraction; his work embodies a synthesis between tradition and modernity, discipline and freedom. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2933\" data-end=\"3050\"\u003e\n\n\u003cp data-start=\"2935\" data-end=\"3050\"\u003e Because it proves that abstract does not mean cold: a meditative, vibrant, deeply spiritual work. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"3051\" data-end=\"3272\"\u003e\n\n\u003cp data-start=\"3053\" data-end=\"3272\"\u003e Because Chu Teh-Chun, a friend of Soulages and Zao Wou-Ki, is one of the first Asian artists to achieve international recognition in the field of abstract art. He is highly sought after in both China and Europe. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","products":[],"url":"https:\/\/artkob.com\/en\/collections\/chu-teh-chun.oembed","provider":"ARTKOB","version":"1.0","type":"link"}