{"title":"Atlan ","description":"\u003cp data-start=\"58\" data-end=\"163\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"58\" data-end=\"79\"\u003eATLAN (1913-1960)\u003c\/strong\u003e\u003cbr data-start=\"79\" data-end=\"82\"\u003e \u003cstrong data-start=\"82\" data-end=\"119\"\u003eThe wizard of modern painting\u003c\/strong\u003e\u003cbr data-start=\"119\" data-end=\"122\"\u003e \u003cem data-start=\"122\" data-end=\"161\"\u003e“I paint as one sings a myth.”\u003c\/em\u003e \u003c\/p\u003e\n\n\u003ch3 data-start=\"170\" data-end=\"220\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● Why does it still fascinate today? \u003c\/h3\u003e\n\n\u003cul data-start=\"221\" data-end=\"672\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"221\" data-end=\"326\"\u003e\n\n\u003cp data-start=\"223\" data-end=\"326\"\u003e Poet, resistance fighter, self-taught, he developed a unique, totemic, organic, spiritual style of painting. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"327\" data-end=\"551\"\u003e\n\n\u003cp data-start=\"329\" data-end=\"551\"\u003e A biomorphic abstraction somewhere between a mythical bestiary and ritual writing: muted shapes, supple lines, an almost sacred atmosphere. Its forms evoke ancient rituals or esoteric pictograms. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"552\" data-end=\"672\"\u003e\n\n\u003cp data-start=\"554\" data-end=\"672\"\u003e His works are dense, mysterious, like maps of an inner world. Archaic language and magical dwelling. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"679\" data-end=\"710\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● A very contemporary work \u003c\/h3\u003e\n\n\u003cul data-start=\"711\" data-end=\"1022\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"711\" data-end=\"780\"\u003e\n\n\u003cp data-start=\"713\" data-end=\"780\"\u003e The shapes appear as glyphs or esoteric NFTs. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"781\" data-end=\"936\"\u003e\n\n\u003cp data-start=\"783\" data-end=\"936\"\u003e An echo with the network of alternative spiritualities, with the interest in raw, tribal art, with the need for a visual language beyond the rational.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"937\" data-end=\"979\"\u003e\n\n \u003cp data-start=\"939\" data-end=\"979\"\u003eIt replaces all scales, all standards. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"980\" data-end=\"1022\"\u003e\n\n\u003cp data-start=\"982\" data-end=\"1022\"\u003e A modern mystic, a world painter. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"1029\" data-end=\"1067\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e ● Why is it presented here? \u003c\/h3\u003e\n\n\u003cul data-start=\"1068\" data-end=\"1574\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"1068\" data-end=\"1256\"\u003e\n\n\u003cp data-start=\"1070\" data-end=\"1256\"\u003e Because Atlan is the brilliant autodidact of the post-war period. A friend of Asger Jorn and the CoBrA movement, he influenced Soulages, Mathieu, and Hartung while remaining aloof from the cliques. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1257\" data-end=\"1424\"\u003e\n\n\u003cp data-start=\"1259\" data-end=\"1424\"\u003e Because he was a painter-sorcerer, a magician of forms. He created a mystical, interior, intense language. An artist for those seeking the unheard-of, the beautiful. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1425\" data-end=\"1574\"\u003e\n\n\u003cp data-start=\"1427\" data-end=\"1574\"\u003e Because his work is short but striking. He is celebrated by all the major museums and is one of the most trusted names in French abstraction. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","products":[{"product_id":"jean-michel-atlan-pastel-1955","title":"ATLAN Jean-Michel (1913-1960) – Pastel on paper, circa 1955 – Signed – Artkob Gallery","description":"\u003cp data-start=\"1786\" data-end=\"1914\"\u003e Jean-Michel Atlan (1913-1960)\u003cbr data-start=\"1819\" data-end=\"1822\"\u003e Untitled, circa 1955\u003cbr data-start=\"1852\" data-end=\"1855\"\u003e Pastel on paper, signed lower right “Atlan”.\u003c\/p\u003e\n\n\u003cp data-start=\"1916\" data-end=\"1943\"\u003e Dimensions: 53 × 44 cm\u003c\/p\u003e\n\n\u003cp data-start=\"1945\" data-end=\"2065\"\u003e Provenance: Private collection, Monaco\u003cbr data-start=\"1993\" data-end=\"1996\"\u003e A certificate from Mr. Jacques Elbaz will be given to the buyer.\u003c\/p\u003e\n\n\u003cp data-start=\"2067\" data-end=\"2097\"\u003e Framed artwork under glass.\u003c\/p\u003e\n\n \u003cp data-start=\"2099\" data-end=\"2281\"\u003eA figure of the New School of Paris, Atlan explores a unique visual language made of raw forces and organic symbols.\u003cbr data-start=\"2234\" data-end=\"2237\"\u003e A typical work from his mature period.\u003c\/p\u003e","brand":"ARTKOB","offers":[{"title":"Default Title","offer_id":52054758261082,"sku":null,"price":14000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/files\/DSC01326.jpg?v=1755179059"},{"product_id":"atlan-jean-michel-pastel-sur-papier-1948-signe-artkob-galerie","title":"ATLAN Jean-Michel — Pastel sur papier, 1948 — Signé — Artkob Galerie","description":"\u003ch3 data-start=\"364\" data-end=\"397\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eJean-Michel Atlan (1913–1960)\u003c\/h3\u003e\n\u003cp data-start=\"399\" data-end=\"438\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eSans titre, 1948\u003cbr data-start=\"415\" data-end=\"418\"\u003ePastel sur papier.\u003c\/p\u003e\n\u003cp data-start=\"440\" data-end=\"474\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eSigné en bas à droite « Atlan ».\u003c\/p\u003e\n\u003cp data-start=\"476\" data-end=\"501\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eDimensions : 54 × 40 cm\u003c\/p\u003e\n\u003cp data-start=\"503\" data-end=\"717\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eProvenance :\u003cbr data-start=\"515\" data-end=\"518\"\u003eVente, Copenhague, Kunsthallen, 8 février 1989, lot 30\u003cbr data-start=\"572\" data-end=\"575\"\u003eCollection particulière\u003cbr data-start=\"598\" data-end=\"601\"\u003eVente, Copenhague, Bruun Rasmussen, 9 juin 2015, lot 827\u003c\/p\u003e\n\u003cp data-start=\"719\" data-end=\"909\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eBibliographie :\u003cbr data-start=\"734\" data-end=\"737\"\u003eD. Atlan, C. Atlan \u0026amp; J. Polieri, \u003cem data-start=\"770\" data-end=\"827\"\u003eAtlan. Catalogue Raisonné de l’Œuvre Complet. Correctif\u003c\/em\u003e,\u003cbr data-start=\"828\" data-end=\"831\"\u003eÉditions Gallimard, Paris, 2003, reproduit en couleurs sous le n° C30, p. 18\u003c\/p\u003e\n\u003cp data-start=\"916\" data-end=\"1079\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eFigure majeure de l’abstraction lyrique française, Jean-Michel Atlan développe après-guerre un langage singulier, entre figuration archaïque et écriture gestuelle.\u003c\/p\u003e\n\u003cp data-start=\"1081\" data-end=\"1327\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eCe pastel de 1948 appartient à une période fondatrice. Les formes noires, presque totémiques, émergent d’un fond lumineux jaune et ocre. Le trait est vif, instinctif, traversé d’accents colorés qui renforcent la tension interne de la composition.\u003c\/p\u003e\n\u003cp data-start=\"1329\" data-end=\"1532\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eChez Atlan, la ligne devient signe. Elle ne décrit pas : elle évoque. L’œuvre oscille entre abstraction et présence primitive, donnant naissance à une iconographie personnelle immédiatement identifiable.\u003c\/p\u003e\n\u003cp data-start=\"1534\" data-end=\"1678\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eUne pièce rare, bibliographiée et issue d’une provenance claire, idéale pour un collectionneur d’abstraction d’après-guerre et d’École de Paris.\u003c\/p\u003e","brand":"ARTKOB","offers":[{"title":"Default Title","offer_id":53628694266202,"sku":null,"price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/files\/ATLANN_2.jpg?v=1771423210"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/collections\/DSC01326.jpg?v=1756812867","url":"https:\/\/artkob.com\/en\/collections\/atlan.oembed","provider":"ARTKOB","version":"1.0","type":"link"}