{"title":"Arman","description":"\u003cp data-start=\"81\" data-end=\"185\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003cstrong data-start=\"81\" data-end=\"104\"\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eARMAN\u003c\/span\u003e\u003c\/span\u003e (1928 – 2005)\u003c\/strong\u003e\u003cbr data-start=\"104\" data-end=\"107\"\u003e \u003cstrong data-start=\"107\" data-end=\"134\"\u003eThe Destroyer-Creator\u003c\/strong\u003e\u003cbr data-start=\"134\" data-end=\"137\"\u003e “I’ve always loved object graveyards.” \u003c\/p\u003e\n\n\u003ch3 data-start=\"187\" data-end=\"216\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e Why is it fascinating? \u003c\/h3\u003e\n\n\u003cul data-start=\"217\" data-end=\"951\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"217\" data-end=\"431\"\u003e\n\n \u003cp data-start=\"219\" data-end=\"431\"\u003eArman doesn't paint; he gathers, glues, seals, aligns, and stacks everyday objects, transforming them into powerful and fascinating works of art. Watches, musical instruments, strollers, tents, telephones... \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"432\" data-end=\"678\"\u003e\n\n\u003cp data-start=\"434\" data-end=\"678\"\u003e His thing is to reveal the beauty of excess. It's a reflection of consumer society. He leaves a body of work deeply marked by irony, violence, and the beauty of the object in the world that gives us something to see and think about. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"679\" data-end=\"951\"\u003e\n\n\u003cp data-start=\"681\" data-end=\"951\"\u003e Arman is not only a creator but also a philosopher of objects, a passionate collector, and a man of the world influenced by the place of history and industrial society. His work explores our experiences of time, memory, and accumulation. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"953\" data-end=\"982\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e A very contemporary work \u003c\/h3\u003e\n\n\u003cul data-start=\"983\" data-end=\"1467\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"983\" data-end=\"1051\"\u003e\n\n\u003cp data-start=\"985\" data-end=\"1051\"\u003e Arman is the boss of recycling\/pop with his accumulations! \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1052\" data-end=\"1218\"\u003e\n\n\u003cp data-start=\"1054\" data-end=\"1218\"\u003e They are like frozen stories of our habits, mixing art and consumer society, speaking of their lives with poetry, irony and radicalism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1219\" data-end=\"1307\"\u003e\n\n \u003cp data-start=\"1221\" data-end=\"1307\"\u003eHis monumental works enliven modern installations and immortalize museums. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1308\" data-end=\"1467\"\u003e\n\n\u003cp data-start=\"1310\" data-end=\"1467\"\u003e He is a fabulist of contemporary memory. He transforms the banal into the sacred. He makes us think about what we throw away, what we keep, what we forget. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-start=\"1469\" data-end=\"1505\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e Why is it presented here? \u003c\/h3\u003e\n\n\u003cul data-start=\"1506\" data-end=\"2050\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\n\n\u003cli data-start=\"1506\" data-end=\"1695\"\u003e\n\n\u003cp data-start=\"1508\" data-end=\"1695\"\u003e Because Arman is one of the most innovative artists of the 20th century.\u003cbr data-start=\"1578\" data-end=\"1581\"\u003e He creates art from chaos; he has blown up pianos, violins, cars and spaces. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1696\" data-end=\"1891\"\u003e\n\n\u003cp data-start=\"1698\" data-end=\"1891\"\u003e Because he was a friend of Klein, Tinguely, a member of the New Realists movement alongside César and Niki de Saint Phalle, he was one of the first to bring art into the realm of everyday life. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1892\" data-end=\"2050\"\u003e\n\n\u003cp data-start=\"1894\" data-end=\"2050\"\u003e Because he is an internationally recognized artist, famous for his monumental sculptures in public spaces, present in the greatest museums.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","products":[{"product_id":"arman-masque-songye-1997-acrylique-toile","title":"ARMAN (1928-2005) – “Songye Mask”, 1997 – Acrylic \u0026amp; ink on paper – Artkob Gallery","description":"\u003cp\u003e ARMAN (1928-2005)\u003c\/p\u003e\n\n\u003cp\u003e Songye Mask, 1997\u003c\/p\u003e\n\n\u003cp\u003e Acrylic, ink and metallic ink on paper signed lower left, mounted on canvas 75x54 cm\u003c\/p\u003e\n\n\u003cp\u003e Origin:\u003c\/p\u003e\n\n\u003cp\u003e Former Jean Ferrero Collection, Nice\u003c\/p\u003e\n\n\u003cp\u003e Private collection, Paris\u003c\/p\u003e\n\n\u003cp\u003e This work is listed in the archives of Madame Denyse Durand-Ruel under number 5177\u003c\/p\u003e\n\n \u003cp\u003eA certificate from the archives of Madame Denyse Durand-Ruel will be given to the purchaser. This work is registered in the archives of the ARMAN Foundation, Geneva.\u003c\/p\u003e\n\n\u003cp\u003e Framed artwork with glass\u003c\/p\u003e","brand":"ARTKOB","offers":[{"title":"Default Title","offer_id":52071321665882,"sku":null,"price":10000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/files\/DSC01368.jpg?v=1755179195"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/2485\/2826\/collections\/DSC01368.jpg?v=1757494875","url":"https:\/\/artkob.com\/en\/collections\/arman-1.oembed","provider":"ARTKOB","version":"1.0","type":"link"}